Afrofuturism is back. Beyoncé’s video Lemonade or the new Marvel film Black Panther have just as much been influenced by it as have the growing numbers of contemporary works by artists and designers from African countries and the Diaspora.

Afrofuturism is a pop-culture movement which ensued in the African-American communities in the 1950s as a result of racism and discrimination. It then wanted to serve as a contrast to the sad state of current affairs, with an own vision of a future full of hope built on a mythology and aesthetics full of blackness, science fiction, the idea of liberation, surrealism and pop. Many of the issues surrounding society back at that time remain unresolved today. Perhaps this is also the reason why so many creative people have chosen to reawaken the idea of Afrofuturism today.

At the last event within the ‘More Aphrike’ series, we want to learn more about Afrofuturism and, at the same time, view it from an African-centric perspective. What relationship do artists from African countries have to Afrofuturism? Is the latest hype surrounding Afrofuturism a chance to be taken seriously on an international level? Or is Afrofuturism just another label which the Western-dominated art market is slapping on art from African countries? In the talk with Nana Adusei-Poku, we want to discuss this in depth. The talk is supported by a showing of Afrofuturism films and videos presented by M.Bassy, including the classic Space Is the Place by Sun Ra from the year 1974, now in a remastered quality.

Tabita Rezaire:

The media artist Tabita Rezaira resides and works in Johannesburg, South Africa, as an inter-secular preacher and healer. She teaches Kemetic Kundalini yoga and researches the politics of technology. Tabita Rezaire’s art is dedicated to decolonisation healing through the politics of technology. By moving through architectures of power – both online and offline – her work focuses on the all-pervasive matrix of colonialism and its effect on the identity, technology, sexuality, health and spirituality of the people.

Mohau Modisakeng:

Mohau Modisakeng was born in Soweto in 1986 and lives and works between Johannesburg and Cape Town. He completed his undergraduate degree at the Michaelis School of Fine Art, Cape Town in 2009 and worked towards his Master’s degree at the same institution. His work engages race, the militarisation of society and the deep divides of post-apartheid South Africa and the post-colonial continent. He interrogates the collective narratives that inform our experience of the world, in particular those that evoke the black body as a site of fragmentation and distortion.

The Nest collective:

The Nest Collective is a creative ensemble consisting of musicians, designers, filmmakers and fashion designers from Nairobi. Founded in 2012, The Nest Collective has already won numerous awards, most of them for the queer film Stories of Our Lives, which has been shown in more than 80 countries. Additionally, The Nest Collective started the first fund for creative companies in East Africa.

Sun Ra:

One of the most significant and well-known representatives of Afrofuturism is the avant-garde jazz musician Herman Blount, who was reborn as the fictional figure Sun Ra from the planet Saturn. His entire collection of musical works covers various futuristic stories about outer space and interstellar voyages, from an African-American perspective. The universe is a utopic place for Sun Ra, where racism and discrimination can be overcome and all people find room for their own stories, thus empowering themselves and gaining freedom.

Space Is the Place

USA 1974, 81 min., from age 12
Director: John Coney
Starring: Barbara Deloney, Sun Ra, Raymond Johnson, Erika Leder, Christopher Brooks
Camera: Seth Hill
Script: Joshua Smith, Sun Ra
Rapid Eye Movies

»A single copy of the original 35mm film exists today. The company Rapid Eye Lab has now digitalised and remastered it. And because the film is the only document to pass on the music not only of Sun Ra but also his mythical world, this has been deed of heroism for film distribution.«

Süddeutsche Zeitung (2017)

»In Germany, the film has never been shown in cinemas … And so the late unearthing of it amounts to virtually an intergalatical wonder.«

Filmdienst (2017)

Nana Adusei-Poku:

Nana Adusei-Poku (Dr. des) is an independent scholar, curator, writer and educator as well as Guest Lecturer in the Department Art and Media at the University of the Arts, Zurich. She was Research Professor for Visual Cultures 2015-17 and for Cultural Diversity from 2013-14 at the Hogeschool Rotterdam with affiliation to the Piet Zwart Institute and Willem de Kooning Academy.

24.02.2018, 19.30 Opening & Talk with Nana Adusei-Poku and Musa Okwonga

(This event is now fully booked.)

24.02 - 17.03.2018 Exhibition

10.03.2018, 21.45 and 11.03.2018, 17.00 Filmscreening: Sun Ra in »SPACE IS THE PLACE« in the Metropolis Kino, Hamburg

Opening hours:
Monday-Thursday 11.00-16.00
Satursday 12.00-18.00
Address: Schlüterstrasse 80 // D-20146 Hamburg

Please reserve for the opening event : reservation@m-bassy.org

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contemporaryand.com
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Wikis.FU-Berlin by Magdalena Stotter
Did you say Afrofuturism? On labelling art

theguardian.com
Afrofuturism: reimagining science and the future from a black perspective

theguardian.com
Afrofuturism to everyday futurists – new kinds of artists, power & tech

slate.com
Utopian and Dystopian Visions of Afrofuturism

openculture.com
Sun Ra’s Full Lecture & Reading List From His 1971 UC Berkeley Course, “The Black Man in the Cosmos”

The event series »More Aphrike« is funded by the TURN Fund of the German Federal Cultural Foundation, designed to encourage artistic cooperation between Germany and the African continent.